Interpreting Zohran Mamdani's Sartorial Statement: The Garment He Wears Reveals About Modern Manhood and a Changing Culture.
Growing up in London during the 2000s, I was constantly immersed in a world of suits. They adorned City financiers rushing through the Square Mile. They were worn by fathers in the city's great park, playing with footballs in the golden light. At school, a cheap grey suit was our mandatory uniform. Traditionally, the suit has functioned as a costume of gravitas, projecting authority and professionalism—qualities I was told to aspire to to become a "man". Yet, before recently, people my age appeared to wear them infrequently, and they had largely disappeared from my mind.
Then came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a private ceremony wearing a subdued black overcoat, pristine white shirt, and a notable silk tie. Riding high by an innovative campaign, he captured the world's imagination unlike any recent mayoral candidate. Yet whether he was cheering in a hip-hop club or attending a film premiere, one thing was largely unchanged: he was frequently in a suit. Relaxed in fit, contemporary with soft shoulders, yet traditional, his is a quintessentially middle-class millennial suit—that is, as typical as it can be for a generation that seldom chooses to wear one.
"This garment is in this strange position," says men's fashion writer Derek Guy. "Its decline has been a slow death since the end of the second world war," with the real dip coming in the 1990s alongside "the advent of business casual."
"It's basically only worn in the most formal locations: weddings, funerals, and sometimes, legal proceedings," Guy explains. "It is like the kimono in Japan," in that it "fundamentally represents a tradition that has long retreated from daily life." Numerous politicians "wear a suit to say: 'I am a politician, you can trust me. You should support me. I have legitimacy.'" Although the suit has traditionally conveyed this, today it performs authority in the hope of gaining public confidence. As Guy clarifies: "Because we are also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." To a large extent, a suit is just a subtle form of performance, in that it enacts manliness, authority and even proximity to power.
This analysis stayed with me. On the infrequent times I require a suit—for a ceremony or formal occasion—I dust off the one I bought from a Japanese department store a few years ago. When I first picked it up, it made me feel refined and expensive, but its tailored fit now feels passé. I imagine this sensation will be only too recognizable for numerous people in the global community whose families originate in somewhere else, especially developing countries.
It's no surprise, the everyday suit has fallen out of fashion. Like a pair of jeans, a suit's shape goes through cycles; a specific cut can therefore characterize an era—and feel rapidly outdated. Consider the present: more relaxed suits, echoing Richard Gere's Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a considerable investment for something likely to fall out of fashion within a few seasons. But the attraction, at least in certain circles, endures: recently, department stores report suit sales rising more than 20% as customers "move away from the suit being everyday wear towards an desire to invest in something exceptional."
The Politics of a Accessible Suit
The mayor's go-to suit is from a contemporary brand, a Dutch label that retails in a moderate price bracket. "Mamdani is very much a reflection of his background," says Guy. "A relatively young person, he's neither poor nor exceptionally wealthy." Therefore, his mid-level suit will resonate with the group most inclined to support him: people in their 30s and 40s, college graduates earning professional incomes, often frustrated by the expense of housing. It's precisely the kind of suit they might wear themselves. Affordable but not extravagant, Mamdani's suits arguably align with his proposed policies—which include a rent freeze, building affordable homes, and free public buses.
"You could never imagine a former president wearing Suitsupply; he's a luxury Italian suit person," says Guy. "He's extremely wealthy and was raised in that New York real-estate world. A status symbol fits seamlessly with that tycoon class, just as more accessible brands fit naturally with Mamdani's constituency."
The legacy of suits in politics is extensive and rich: from a former president's "controversial" tan suit to other world leaders and their suspiciously impeccable, tailored appearance. As one UK leader discovered, the suit doesn't just dress the politician; it has the power to define them.
The Act of Banality and Protective Armor
Maybe the point is what one scholar calls the "performance of banality", summoning the suit's historical role as a standard attire of political power. Mamdani's specific selection leverages a deliberate modesty, not too casual nor too flashy—"respectability politics" in an inconspicuous suit—to help him connect with as many voters as possible. However, experts think Mamdani would be aware of the suit's historical and imperial legacy: "This attire isn't neutral; scholars have long pointed out that its modern roots lie in military or colonial administration." It is also seen as a form of defensive shield: "It is argued that if you're a person of color, you aren't going to get taken as seriously in these traditional institutions." The suit becomes a way of signaling legitimacy, perhaps especially to those who might question it.
Such sartorial "changing styles" is not a new phenomenon. Indeed historical leaders once wore formal Western attire during their early years. These days, certain world leaders have begun swapping their usual fatigues for a black suit, albeit one without the tie.
"In every seam and stitch of Mamdani's image, the struggle between insider and outsider is visible."
The suit Mamdani chooses is highly significant. "As a Muslim child of immigrants of Indian descent and a progressive politician, he is under scrutiny to conform to what many American voters expect as a sign of leadership," notes one author, while simultaneously needing to navigate carefully by "avoiding the appearance of an elitist selling out his non-mainstream roots and values."
Yet there is an acute awareness of the different rules applied to who wears suits and what is read into it. "That may come in part from Mamdani being a millennial, skilled to assume different personas to fit the occasion, but it may also be part of his diverse background, where adapting between cultures, customs and attire is typical," commentators note. "White males can remain unnoticed," but when others "seek to gain the power that suits represent," they must meticulously negotiate the expectations associated with them.
In every seam of Mamdani's official image, the tension between belonging and displacement, inclusion and exclusion, is evident. I know well the awkwardness of trying to fit into something not built for me, be it an inherited tradition, the culture I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in politics, image is not neutral.